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1. #Pierre cardin 60s space age mod
2. #Pierre cardin 60s space age plus
3. #Pierre cardin 60s space age series

However, at other times, Cardin keeps things sleek and simple, allowing the textiles to speak for themselves. Silver sequins detailing on a Pierre Cardin gown. Cardin is a master of shape and line, using 2D design principles on a 3D form, sometimes exaggerating shapes in order to push the creative envelope. The graphic element also carries through in the striking mixture of geometric and circular shapes, providing an art deco vibe to his modern apparel. Later pieces play with muted greens, oranges, champagnes, and steel blues in rich silks and satins that challenge the expected flow of those fabrics. The color scheme is refined to graphic blacks and whites with the occasional pop of primary colors, whose punch is accentuated by their spare use.

Pierre Cardin, cocktail dresses with conical breasts, 1966.

Cardin also uses the ring inserts and circle motif to create and exaggerate curves rather than simply draping the fabric according to the curves of the body. Most of his work utilizes a ring shape and variations thereof, which provides a futuristic touch to the classic sheath dress.

#Pierre cardin 60s space age mod

While Cardin primarily works with 60s silhouettes, such as the sheath and straight silhouette, he reimagines the female form by adding his own personal details that set his designs apart from the era-defining Mod trend. The exhibition is on display through September 30. The exhibition features over 70 iconic garments that span from the 1950s to the present, both from the Pierre Cardin Museum in Paris and SCAD’s own permanent collection. Meanwhile, Courrèges, a former civil engineer, unveiled his space-age look in 1964, his astronaut-like models attired in helmets, opaque sunglasses and silver trousers.The Manor had the wondrous opportunity to visit the latest exhibition at the SCAD FASH Museum of Fashion + Film in Atlanta: ‘Pierre Cardin: Pursuit of the Future.’ Cardin is a vanguard in the industry with a 70 year and counting career, whose designs make one feel as if they are in the past and future at the same time, with 60s space-age aesthetics being Cardin’s calling card. Cardin had fully embraced a futuristic aesthetic, developing a synthetic fabric called Cardine. She was rejected by the Paris fashion establishment, just as Cardin had been expelled by the city's Chambre Syndicale de la Haute Couture for launching a ready-to-wear line. Quant was ahead of the curve in her espousal of plastics – a material synonymous with space-age chic – creating an Op Art-inspired, white-and-silver rainwear collection called Wet for the company Alligator in 1965. Silver, a colour associated with space travel, was very popular then, as design historian Bevis Hillier pointed out in his book, The Century of Style, citing as examples the silver façades on the Ted Lapidus boutique on Bond Street and The Chelsea Drugstore on the King's Road.

#Pierre cardin 60s space age series

"There was an enormous, romantic interest in space, engendered by sci-fi movies and TV series like Star Trek," says Rayner. Short skirts had already been worn by 1950s sci-fi characters who, along with the 1960s space race, were a major inspiration on 1960s fashion. Quant was among the first designers to create miniskirts.

#Pierre cardin 60s space age plus

– The women behind the legendary Christian DiorĪ Quant retrospective at London's Victoria & Albert Museum, also in 2019, showcased her designs for the Bazaar boutique, plus sketches, catwalk footage and cosmetics, the packaging stamped with her iconic, stylised black-and-white daisy motif. – Why the super-rich love understated dressing – Dame Mary Quant: Fashion designer dies at 93 "The old social order and British Empire were crumbling. "This group emerged from the war as very young and rebellious," says Geoffrey Rayner, co-author with Richard Chamberlain of the book Conran/Quant: Swinging London: A Lifestyle Revolution (ACC Art Books), which accompanied an exhibition at London's Fashion and Textile Museum in 2019. Another important figure was Conran's close friend Eduardo Paolozzi, a co-founder of the Independent Group, a precursor to Britain's Pop art movement. But what sparked this forward-looking, post-war mood in fashion? And who were the bohemian, so-called "Chelsea Set"? Its members included Quant, who opened her first boutique Bazaar on the King's Road in 1955, and Terence Conran, whose first Habitat store opened in 1964. The silver space-age tunics of Pierre Cardin, the chainmail dresses of Paco Rabanne, the ultra-short minis of Mary Quant – these are all familiar tropes of 1960s style.